RQ Classic Character Generator Updates

   I've been working on the code behind the scenes to get the Runequest Classic Character Generator to handle Encumbrance calculations and the effects on movement and defense correctly.  I've also added in a text armor description to the stat block so the characters know what they're looking.

Additionally, I'm being to convert some monsters from other systems to RQ, you'll see a few in the drop down now.

Human

STR 11      CON 13       01-04 R LEG  3/5 
SIZ 11      INT 11       05-08 L LEG  3/5 
POW  8      DEX  9       09-11 ABDOM  5/5 
CHA 16      HP  13         12  CHEST  4/6 
Move  8     ENC  4       13-15 R ARM  0/4 
Def  0      TF   4       16-18 L ARM  0/4 
                         19-20  HEAD  3/5 

Skills: Fast Talk 45, Dancing 25
Move Quietly 20

Basic Magic: Dispel Magic 3, Healing 2
Lightwall 4, Strength 2


Armor Description: inner: Leather Greaves, Thin Leather Byrnie
Composite Helm
Outer: Thick Leather Trews, Linen Hauberk


Base Attack 0  Base Parry 0;Base Manipulation 0  Base Stealth 0  

Base Knowledge 0  Base Perception 0  Base Oratory 5 Base Move 8  

Max Encumbrance  11  Base Defense 0

Strike Rank (SIZ) 2  Strike rank (DEX) 3

Under Pressure: The Unfinished Domain of the Scarlet Prince - Part 7

After a busy summer and early fall, getting back into the swing and continuing the dungeon I started earlier this year.

"Under Pressure"  David Bowie and Queen

 

Under Pressure 

Area 1, Room 4

Area 1 Room 4

Quick Look

The room is a 10x20 hallway, it appears empty.

Detailed Examination

Any player specifically stating they are examining the ceiling may notice that there appears to be a gap between the ceiling and the wall, all the way around.  Dwarves have their normal chances of detecting a trap involving stonework. 

If the trap is triggered, the only way anyone survives after the fourth round is if they are in gaseous form.

Exits

To The Theater of the Crimson Mime, a plain wooden door, opening inwards.  A curtain of moth-eaten linen, undyed, but painted with red swirls is revealed when the door is opened.  A pressure plate on the Theater side of the door will cause the ceiling to grind down over the next four rounds.  Two characters can clear through the doorway each round, but if the character ahead of you has a lower dexterity bonus than your character, you must delay clearing the doorway until the start of the next round - and everyone backs up behind you.  

To Room 7, a plain wooden door, opening inwards.  A pressure plate on the Room 7 side of the door will cause the ceiling to grind down over the next four rounds.  Two characters can clear through the doorway each round, but if the character ahead of you has a lower dexterity bonus than your character, you must delay clearing the doorway until the start of the next round - and everyone backs up behind you.  

The Unfinished Domain of Scarlet Prince

Part I - The Entry

Part 2 - The Grating Chasm

Part 3 - Area 1 Layout

Part 4 - Theater of the Crimson Mime

Part 5 - Shadow of the Prop Master

Part 6 - Big, Round and Down

Big, Round and Down: The Unfinished Domain of the Scarlet Prince - Part 6

Big, Round and Down 

Area 1 Room 3 

Quick Look - the walls extend away, curving inward. Your torch light doesn't find the far wall. Your footsteps echo slightly in the large gloomy chamber. You see a wooden well cover lying on the floor. 

Detailed Examination - the room is an 80 foot diameter circle, slightly truncated where other rooms have been built. Under the well cover is a 5 foot shaft leading down. The only other object in the room is a bundle of leather. Examining it determines that it is a crumpled, small leather pouch containing flower bulbs. Lily bulbs if they check. 

Exits 

To Room 1 - Normal Door, although it has an unusual disk carved (standing out from the surface of the door) under the latch.. To open and disarm the trap: Slide the disk down while the door to Room 2 is closed. The door from Room 1 to Room 2 must be closed to open this door. If the disk is lowered, while the door to Room 2 is open, the trap triggers. The trap sprays a slimy gel on the hands of the door opener, making it impossible to grasp objects. Clean off with wine or vinegar. 

To Room 2 - the door posts are carved with flowers. Lilies, if anyone checks. The door itself is a normal door, it shows no unusual damage on this side. There is no trap. 

Shaft - a five foot diameter shaft leading down. There are rungs bolted to the side of it

5 foot squares
Adding details as I generate the rooms

Room size and presence of the shaft created with the DMG tables.  

 Decided that doorway decorations should usually repeat on the other side of the door.

Tome of Adventure Design, Tables 3-27 through 3-29 for the door and latch/trap trigger to Room 1, which only became apparent when I laid the room out on the map.   The trap itself was generated using Tables 3-126 Basic Traps and 3-129 Trap Liquids.  They gave me the inspiration for the effect and remedy.

The pouch and contents were generated from Table 3-144 Dungeon Dressing and 3-159 Herbs.

The Unfinished Domain of Scarlet Prince - Part 5

   Doorway behind stage - when I looked at my drawing, I changed it to the rear left corner of the stage - a player's entrance.    ToAD Tables 3-27 through 3-29 - archway is painted in a repeating pattern. The theme of the dungeon gave me the inspiration for the pattern,  Doorway is painted with red and white tragedy/comedy masks.  Door itself is plain.  Room 2 is a 30x40 Rectangle.  I used ToAD Table 3-39, think I'll just use the DMG in the future for room sizes, more variety.  Contains monster only. DMG Table V-F. Undead, incorporeal, semi-intelligent, does not create more monsters.  ToAD Tables 2-1 Monster Type and 2-64 Undead.  I then went through the incorporeal undead from the Monster Manual and settled on Shadow.  This differs from the the ToAD result as Shadows can reproduce by creating other Shadows. 

Area 1 Room 2 

Shadow of the Prop Master  

Room 2 is accessed by the doorway off of the rear left corner of the stage.  The door posts are painted with a pattern crimson masks of comedy and tragedy running down them, the door itself is unadorned. Try as you might you discover no indication of a trap.  The door is not locked, nor is it stuck.

Quick Look - shadows predominate in this room.  Your light striking tables and chairs, rolls of canvas stacked haphazardly and racks of clothing decaying into gossamer spider webs, casts them on the far walls and between piles. The room is about 30 feet across and extends to the right into the gloom past what your light illuminates


Detailed Examination - the room is 30x40 and piled with theater props. Bards will recognize this immediately, as will anyone with any skill or experience in acting. For the others, the clothing looks expensive, but the cloth is cheap. Armor is knitted chain mail and tin plate. The rolls of canvas, if unrolled, are painted scenery. Of more interest, to the pecuniary minded adventurers, are the unlocked chests on the far wall. They will prove to contain wood discs painted gold, obviously fake, and costume jewelry. If the party has determined this is a prop room, give them a +4 on any appraisal check to determine the gems and jewelry are fake. Otherwise they can carry them out and pay to learn they are fake. Under a jumble of canvas rolls is a skeleton.

Monster - the room is haunted by the Shadow of the Property Master. This being will use the shadows to hide and reach out to steal life from random characters. The only way to avoid the shadows would be to push all the props up against the walls. To banish the Prop Master, the skull from the skeleton must be taken on stage and a play performed with the skull playing the lead role.

Shadow (14 HP), AC 7, 3+3 HD, One attack for 1d4+1 Damage + Strength Drain (1 pt/hit). Shadows are 90% undetectable and require a +1 weapon or better to hit. Strength loss returns in 2d4 turns. Characters reduced to 0 Hit Points or Strength are turned into Shadows themselves.

5 foot squares
Updating the layout as I generate the rooms

Getting a sense of how to combine Tome of Adventure Design with the DMG.

The Unfinished Domain of Scarlet Prince

Part I - The Entry

Part 2 - The Grating Chasm

Part 3 - Area 1 Layout

Part 4 - Theater of the Crimson Mime

The Unfinished Domain of Scarlet Prince - Part 4

    In which I determine what the Tome of Adventure Design isn't and start detailing the rooms in Area 1.

   ToAD is not a dungeon generation system, which isn't obvious at first look, although I had my suspicions by the third look.  Great tables for coming up with creative features, but no guidance on how often such features should crop up.  This isn't an issue for anyone with access to the DMG, it's really a matter of choosing when to move between the two.

   I really like ToAD's area design, so starting with that, as I said in the previous post, I know  Area 1 Room 1 will be of unusual size.  Table 3-40 gives me a room nominally 50x80, with far end a ziggurat like stepped triangle with a 20' point. 

   OK, what about the door into the room from the chasm?  Have to jump around, but Tables 3-27 and 3-28 treat Archways.  ToAD defines an Archway as where ever a tunnel or corridor leads out of the room.  Leading into one is the same thing, so I have a Trap!   We'll leave that for a minute while I get more information.   Table 3-29 Normal Doors; Basic Description of - comes to the rescue saying the door while otherwise normal is painted an unusual color.  Table 3-30 tells me it's painted a red and white checkerboard.

   Traps, there's a whole chapter in ToAD with tables for randomly generating a trap.   And none of my random rolls gave me anything I liked.  Finally I started reading the table entries and after eight pages came across a magical trap effect "Floating image of person, monster or animal."  That, with the door pattern, gave me an idea.

   Other than that, ToAD has lots of random room content tables, but as I said no room content distribution table, so back to the DMG Table V-F Chamber or Room Contents.  If I roll a Special I'll jump back to ToAD.  And I roll an eleven, it's empty.

Area 1 Room 1

Theater of the Crimson Mime.

     Crossing the grating, the ledge on the other side is differs only in minor details.  The wall on the far side contains a gaily painted door in a red and white harlequin pattern.  Successfully detecting traps will find a spring compressed at the top of the door.  The trap may be disabled.  Detect Magic will detect a a strong illusion dweomer.

     Opening the Door- if the trap has been disabled, nothing happens.  If it was not disabled, the crimson figure of human wearing a jesters cap and bells appears to have opened the door, it mimes pulling a stout rope (seemingly connected to the party) towards itself, bows and vanishes.  Behind it, there is darkness as your feeble light doesn't illuminate the far wall.

    Quick Search -  the room is 80 feet long and 50 feet wide, the final fifteen feet decrease to a twenty foot width as shown.  The last twenty feet of the room, including the reduced width, are raised approximately five feet higher than the floor, forming a stage.  There are three doors in the other walls (to be subsequently placed and detailed when I create the rooms.)  

    Detailed Examination - nothing new.

Area 1 Room 1 
5 foot square

(Edit) Exits
The Prop Room is accessed by the doorway off of the rear left corner of the stage. The door posts are painted with a pattern crimson masks of comedy and tragedy running down them, the door itself is unadorned. Try as you might you discover no indication of a trap. The door is not locked, nor is it stuck.

To Room 4   A curtain of moth-eaten linen, undyed, but painted with red swirls is reveals a plain wooden door, opening outwards. when the curtain is moved.  A pressure plate on the Theater side of the door will cause the ceiling to grind down over the next four rounds.  Two characters can clear through the doorway each round, but if the character ahead of you has a lower dexterity bonus than your character, you must delay clearing the doorway until the start of the next round - and everyone backs up behind you.  

And now I know more about the Scarlet Prince, it's the title given to  the Guildmaster of the Community of the Crimson Clowns, a guild of Bards and Jesters.

The Unfinished Domain of Scarlet Prince

Part I - The Entry

Part 2 - The Grating Chasm

Part 3 - Area 1 Layout

Feudal Wilderlands Part IX - Population Distribution

    So a recent conversation with my gaming group is leading to the possibility of my running a campaign, which - if I do - will be set in my version of the Feudal Wilderlands.

   On a related note, since 19 - frikkin' -78!, I have been entranced by a line in the old Chivalry & Sorcery Redbook - "In the designers own wargaming group, an elaborate set of tables was designed by a member which can locate a character literally within miles of a particular town in France..."  Never gotten to that level of detail, never played in a campaign with that level of detail, but... I realized how close last years efforts put me to that goal.  

   I'd already pulled the urban (town and village) population from Rob Conley's Wilderlands version into a spreadsheet.  I'd worked out, using Chivalry & Sorcery, the highest nobles and their immediate vassals.  All I needed to do was some quick population subtotals in Excel and roll up the holdings of all of the sub-vassals, which would give me the rural population.  I excluded all non-human settlements, and the totals only include the 'civilized' residents on the fiefs, so bandits, exiles and barbarians are extra.

For census purposes - there are only 413,020 humans in the City State of the Invincible Overlord and his vassals; 67,660 are urban (for a very low bar) and 345.360 live on the various fiefs.

Region	Rural	Urban	Total	Pct
Altanian Marches	24.520	4,166	28,686	6.95%
Brythange	11,800	650	12,450	3.01%
CSIO	16,970	21,185	38,155	9.24%
Difiros	19.980	6894	26,874	6.51%
East Romilia	14,890	2,610	17,500	4.24%
Gwalion	34,280	762	35,042	8.48%
Gwarenne	30,080	12,190	42,270	10.23%
Losthaine	12,560	1,239	13,799	3.34%
Rorystone	18,770	2,956	21,726	5.26%
Saule	18,110	2,055	20,165	4.88%
Severnais	40,240	1,417	41,837	10.13%
Skandry	47,780	7,958	55,738	13.5%
Tungraine	12,610	1,499	14,109	3.42%
Vinnior	17,850	722	18,572	4.5%
Zothiem	24.740	1,357	26,097	6.32%

Previous Posts in this Series

Wilderlands Trade Radius

Wilderlands Market Areas

Wilderlands Where the Barbarians Roam

Wilderlands Baronies

Wilderlands Baronies, Further Considerations

Wilderlands The Roglaroon

Feudal Wilderlands Part I

Feudal Wilderlands Part II - The Heartlands

Feudal Wilderlands Part III - The Restless North

Feudal Wilderlands Part IV - The Imperial West

Feudal Wilderlands Part V - The Changing South

Feudal Wilderlands: Fiefs - Severnais

Feudal Wilderlands Part VI - Notes on Towns and Villages

Feudal Wilderlands: Part VII - Elves

Feudal Wilderlands: Severnais Random Encounters

The Unfinished Domain of Scarlet Prince - Part 3

     Continuing with my dungeon creation using the Tome of Adventure Design, I hit Table 1-1A to generate a name for the dungeon.  Not much less unwieldy than the earlier post names, but certainly more evocative.  

    So who is/was Scarlet Prince or is it THE Scarlet Prince or A Scarlet Prince?  I don't know yet, I expect the backstory to emerge from the dungeon creation process.  To date I know one important element in the story is a duel on a bridge and that they were in possession of the Moon Shield when the dungeon was being constructed.  Nor do I know why the dungeon was left Unfinished, but I know either Area 2 or Area 3 will have roughly excavated walls and floors providing trip hazards in combat.

   With this post I get to begin designing and roughly laying out Area 1, which I know has 14 rooms, three of Unusual Size.   Table 3-37 tells me this area of the dungeon was excavated and then faced with stone blocks, walls and ceiling and paved with flagstones.  Typical dungeon construction.

    As I mentioned in the first post, one of the things I liked immediately about the ToAD, is that it provides suggestions for laying out areas with some intention and design, as opposed to the DMG's more random method.  A quick roll on Table 3-41 gives me all rooms connect to a central room, like a star pattern.

Nice idea, but with 14 rooms and a chasm to one side, it gets crowded in a hurry.  So I'll modify it so that I'll have a central room, with the other rooms tumbling out of it into each other.  Something like this, but as I generate the individual rooms, I'll create the actual layout and doorways.

The Unfinished Domain of Scarlet Prince
Area 1 Rough Layout

     Things to keep in mind, I need another way down to level two, as I have the concealed handholds in the chasm, I want a obvious pathway down too.  It's always a good design practice to have most areas, as well as clues, have multiple ways for the party to find them.  I also want a secret or concealed door to the smaller area on this level.  If they don't show up in room generation I'll add them afterwards.

The Unfinished Domain of Scarlet Prince

Part I - The Entry

Part 2 - The Grating Chasm